Showing posts with label Watercolors. Show all posts
Showing posts with label Watercolors. Show all posts

Wednesday, July 23, 2014

Take A Walk Along the Coast by Ardith Goodwin

Paper and I have this thing. There is something visceral and palliative that I feel in my bones when I manipulate and work with paper, especially when the marks flow and dance across it. Over the past 11 years I have come to adore, love, hold sacred the use of paper in the art process. It is my one substrate that I would choose above all else. 

Because of this, I have wanted to take my process and embrace that love on a much larger scale. When using watercolors or fluid acrylics, this is a challenge because the idea of...how will I display it stays in the head. Regardless of that, my heart longed to create a body of work on paper with a few pieces up to 4 feet by 4 feet...so I did. 

Here is one of them: 

TAKE A WALK ALONG THE COAST 

I began by working with marks and then flooding in colors I loved, that reminded me of living along the coast. I let the paint flow like the salt and fresh water flows through our veins here...with reckless abandon. 


I kept adding to that, thinking about our beautiful waters, the plant life we adore, the endless summers. 


I sat back and took in all in, giving it time to percolate. 


I enjoyed my favorite soda...and its packaging.



I quickly realized I wear this palette all the time which is why I feel so connected to it. 

Working this large was a challenge. I stood up, I sat, I laid it flat and sideways and upside down. 

I listened to my love of the place I call home, found its spirit within my marks...


and saw my love come to fruition. There is no other place like the coast, especially the southern Gulf Coast. 


"Take A Walk Along the Coast" 4 feet by 4 feet water media on paper



Detail Image: Can you relate to these colors and marks? 

Detail Image: the flowers...the foliage...the love of color

This painting turned out to be one of those pieces that came straight from the heart and gave me buckets of joy. The larger scale offered me the freedom to let my marks flow in a much more loose, fluid way and I realized that was reflective of how the coast makes me feel as well...calm, relaxed, joyful, full of life. I still have yet to figure out how these works will be displayed, but that issue doesn't cause me stress, it will come. I stayed true to my calling, painted what I love on what I love, and am quite in love with the outcome. An artist can hope for no more than that. 


After I posted this painting on Google+ a super awesome gentleman had a few questions for me about this piece. The one that I have never been asked before:   WHAT DOES IT FEEL TO PAINT LIKE THIS? Here is what I said to him after thanking him for the nudge: 

"Well, I immediately plug into a great deal freedom. There are marks on the paper that I begin with...Asemic marks which are a type of language without semantic meaning. I am basically having a conversation with the paper and my creative spirit..and that is portrayed by lines, dashes, swirls...etc. From there I get a sense of play, almost childlike, as I dance across the page with a bit of balance and a little of intent. With every layer, with every mark I paint with joy. I connect with the nature around me, I listen, I slow down, totally at peace. I also paint realism, you might have seen that on my website, but these, they grab my heart strings and say "Let's Play and Let's Express What Matters."   You are the first person to ask me how it feels, it was nice to be able to share that." 
AHHHHHH...love it when I get to engage with art lovers in the world.  



Monday, April 22, 2013

Watercolor Travel Palette

Watercolors can be really expensive, especially if you use professional grade paints such as Holbein, Daniel Smith, or Windsor Newton. I have palettes at home because I use tube paints and had previously used a Van Gogh travel palette with pans which I had for eons and loved, but I really missed my favorite paints which I had at home. I had priced out travel palettes and to purchase them ready made was way too costly, so I started searching for travel kits I could fill with tube paints and even those were costly. Along comes my stroll through the sewing aisle at a local craft store and low and behold I spied a bobbin thread holder with 25 sections, just deep enough for tube paints for $5. Because I plan to travel and sketch with these a lot I will allow them to dry out a bit but I am really stoked to start using a much more varied palette in my sketchbook! 


Friday, April 19, 2013

The Journey of Painting Glass




I am a collector. There are baskets of doll parts around the house, inside the gumball machine, inside the glass jars on my dining room table to keep the seashells company, and then there are my glass spheres that live within all of my weirdness, each beside a natural light source, and glow with life at unsuspecting moments. These spheres are where my Ardithian imagination gets its ideas, and I could live in them if I was able....they just magically draw me in. 





Painting glass is no small feat, especially with watercolors. In fact, I have only painted 3 glass paintings in the past 10 years, not because I dislike them, but because they are such a challenge that my back and neck scream with rebellion at the mere thought of me thinking about it. That was until a few weeks ago when I had to choose one of two subjects to paint for an upcoming show. The glass called out to me, and I decided it was time to let the paint flow again. 


Oh, the stinky frisket! 


The challenge is exactly what I remember, not painting the glass but painting the reflections in the glass. So far, I am pleased with my progress but the soul in me that loves slinging paint, making marks, and being loose with acrylic is cringing with all of the tight control necessary for this type of painting. I wish I had the physical ability to paint huge pieces, crawling up on a ladder to paint the tops of things, and getting down on the floor to paint low, but for today, I will be content with painting 'fairly large' for me. 





There are still many layers and glazes that will come for this piece, and I look forward to seeing it come to fruition. My mixed media spirit does as well, :) 


The pic above shows the addition of the dark values, or at least some of them. 

Love mixing yellow and deep violet to create darks. 

4/20th added more darks, more glazes, working on capturing the values I am looking for! 



Finally, after weeks of working on this piece with a bad back and all I am done. There are things I would have done differently had I been physically able, but considering how challenging it was with my back, I am thrilled with how it turned out. 

"The Reflections in Creation"
20" by 30" 
Watercolor




Tuesday, May 29, 2012

Painting Fine Art for Children

Sea oats and magnolia leaves are great fodder for some artists but not for me. My imagination is just too much off the chain for that so I opt, many times, for painting the weird, the wacky, the lovely, and kids love it! This piece, "Is That You Bob Marley?" is one that would inspire wonder, questions, and make a child think. That type of art is powerful to have and expose children to because it takes them from ordinary to the imaginative extraordinary. As a child, children's illustrations fascinated me and the weirder ones always got my attention. 


I could always say, it started with a door, a flag, and a rabbit, ;) 


Patterned, painted gesso paper, watercolor crayons, pencils, graphite, and diluted white acrylic. 


Up close detail, you can see the patterns well here.

It did start with a door, a flag, and a rabbit.

I am healing well enough to graduate from the bed to the table!

Oh, is it him or not? 

Friday, February 24, 2012

Watercolor Zen Doodles

I don't know about you but there are times I simply need to meditate through my art. Not for any one purpose, person, or outcome, I just feel the need to see the water flow onto the paper, watch the colors bleed and blend, and breathe through each step. When I feel this way I usually turn to my watercolor zen doodles, sometimes on paper, other times in my journal. Today, I just felt like trying out some new paper, so I silenced the house, got off the grid, and slowly worked my way through this doodle.


In this step, I begin by taking a few deep breathes 
and let my pencil flow in the paper. I am drawn to curves
but you might prefer hard lines or edges. 



Once the design is on paper, I begin to slowly float 
watercolor into the shapes. 


At this stage, I am quite peaceful, enjoy getting back
into the feel for moving water through paint, and 
start to allow the colors to interact with one another. 


Once I had the cool colors set, I chose to embrace
my favorite color, Opera, and add a bit of umph to 
the piece, just to show my spirit that it needs a 
good kick sometimes. 




Once my I am pleased with my watercolors, I then add 
the steps to doodle the image. There is no right or 
wrong way for this, I just let go and watch the piece
evolve with great contrast. Eventually, after listening to 
my inner voice, it will let me know when I am done, 
and then I rest.

Here is the finished piece. Watercolor Zen Doodling, for me, 
isn't about creating a masterpiece. It is a small way I choose
to connect with my art gifts, allow my inner voice to calm, 
and reconnects me with the act of spontaneous creation. 


Technique Application:
Stress is a part of life. It can rob us of joy, energy, optimism, and disconnect us from our gifts. Watercolor Zen Doodling is a really easy way to channel the stress and let it go. With that said, it is probably one of the first ways I ever learned to paint with watercolors. Because there were no 'rules,' I allowed myself the freedom to play, and through that play a love to paint was born. Young children and beginners can be taught the art of Watercolor Zen Doodles, and from that they will carry with them the ability to see that YES, they can paint, and they can calm their spirits at the same time. 

Paper does matter. I used an inexpensive watercolor paper that I wanted to try because it was precut into a 5" by 5" block. Honestly, I wasn't thrilled with it because it bled like soaking cotton, but I let that go and embraced the process, not the product. Once the watercolor is set, using Sharpies, Copics, or other waterproof inks works best so that the ink doesn't bleed as well. 

For professional artists, this is a great way to try out a new paper, see how it behaves, before purchasing a great amount in bulk. 

Happy Doodling/Painting/Creating Friends!



Wednesday, November 24, 2010

My Gratitude List

This is one of my collages from my Collage a Day series, You can read more about these here:Collage A Day

Well folks, I had a blog written for today.....had worked about an hour on it, all filled with gratitude and fru fru fluffy stuff for the holidays, but......after I walked away before hitting publish and came back to it....I HATED IT. It was strange, because I pretty much feel that HATE is one of those words I choose to use only on special occasions.....but there it is....I HATED IT. Here, you get the one I was meant to write.....the one I LOVE!


In this moment, regardless of what chaos surrounds me, 
LIFE IS BEAUTIFUL!
In this moment, regardless of my self doubt, I choose to
FEEL LOVED.
In this moment, regardless of my pain, 
JOY TRUMPS IT!
In this moment, regardless of my fears, 
GRATITUDE CREATES CALM!


And because I know the edgier side of my personality longs for some face time:

Life is short - make another pile!  (That's a nod for all of you, like me, who have piles around your house that seem to be growing their own personalities and becoming family members)


Happy Thanksgiving dear ones.....I LOVE YOU, love your support, love your comments, love the fact that little ol me is able to share my art with all of you! ((((((((Turkey Hugs))))))))))))


St. Louis Cathedral in N. O., see my entire Landmark Series HERE











Tuesday, September 14, 2010

The Beautiful Mobile Alabama!



Bienville Square Fountain
 
Mobile, Alabama has got to be one of the most lovely cities I have ever seen. As a child, all I remember about it was lots and lots of pine straw, nettles that gave me a rash, the humidity, and dirt. Most likely that stemmed from growing up in the country rather than the city, but as I grew older I began to notice the quiet beauty of our town, especially spring when the azaleas and hydrangeas were blooming. When I decided to turn my interests to art, I marveled at the landmark paintings done by other artists because I had never noticed how beautiful our city really was, until I saw it through their eyes. I began to take a closer look at our town, especially the landmarks that were important to me and quickly realized  that I had missed out on appreciating Mobile for what it has to offer, and decided it was time to honor it with my own paintings.

Thank goodness I had taken lots of photographs in my day because I needed them as references for each landmark. I guess there was part of me that found Mobile's images captivating, so I ruffled through several and decided that Bienville Fountain would be a must, along with the Cathedral. Bienville Square is home to our fountain, which is actually home to many folks who love to enjoy a tasty meal under the canopy of the oaks. Often, there is live music at the square and always someone or something interesting to look at. Not to mention quite friendly squirrels and many years ago a most unusual fire hydrant.  It is considered part of the heart of downtown, and a big heart it has.

Bienville Square Fire Hydrant


The Cathedral is a grand church, with glistening, gold crossed tops that overlooks Cathedral Square and its patrons. Lots of art happenings goes on at the square because Space 301, The Mobile Arts Council, and The Paper Wasp all call the square home. The Spot of Tea rests in between them, is quite famous for its strawberry tea, and tourists and locals alike seem to congregate in the square, all in the protective shadows of the Cathedral.

The Cathedral at the Square



View From Space 301

Wintzell's is a famous restaurant on Dauphin Street, right across the street from the Cathedral Square Gallery where you can see these paintings, is known for offering some of the best oysters found in the South. While you eat, you can spend time conversing with friends, or simply reading the thousands of iconic sayings on the wall amidst the pictures of famous folks who had graced the place. Ben Franklin would have been proud.  The Bike Shop, or Dauphin Street Taqueria, is a local bar/eatery with an authentic, double-decked bus parked right outside. If the bus isn't enough to peek your interest, then the fish tacos must. Hands down, best fish tacos I have ever eaten.

The Bike Shop on Dauphin

It's Miller Time at Wintzell's

When it comes to quaint stops, Bienville Books and the Haunted Book Loft has got to be top on the list. My favorite bookstore of all time, offers vintage and hard to find books at prices you wouldn't believe if I told you. They also offer this wonderful t-shirt that says, "I Read Dead People," which makes me laugh every time I see it.

Bienville Books on Dauphin at Royal


So far,  I have about 15 pieces in my series with plans to finish it up with 30 paintings showcasing the unique beauty and attractions our city has to offer. My next blog  will focus on the beautiful Spring Hill College campus which is near and dear to our family's heart. Until then, if you have friends looking to visit Mobile, share this blog with them. I have included several links they might find helpful. You can view all of my landmark paintings HERE and you can purchase prints of them through my Ardithian Arts Etsy Shop. Mobile, a beautiful city where you hardly ever meet a stranger. Just ask Henry, King of Clark's Gas Station.

Henry, King of Clark's Station

Saturday, September 11, 2010

September 11th A Black Letter Day

Twin Tanks, Twin Towers   watercolor/mixed media

I woke up this morning with the memory of the events of September 11th fresh on my mind and found it a melancholic way to wake. Not sure if I dreamed about it or if the media coverage had simply saturated my psyche, but it was on my mind and heart. This past week I chose to paint an image that I have loved dearly for many years, and am now quiet fond of. 

In 1999, I was fortunate enough to go to New York to be on the teacher's advisory panel for Scholastic. Our meetings were held at the top of one of their buildings and I found myself wishing I could stand on their rooftop indefinitely, because the view was simply amazing. I had my camera with me, the kind that had the panoramic mode which took wide photos, so the clicking began and I came home with two photos of the New York skyline. At the time, I didn't realize how meaningful they would be, and honestly, I wish they were simply shots of the city, not shots of a skyline that is no more.  Nevertheless, I came home, filed the pictures away, and regarded my only visit to New York quite fondly. 

September 11th, 2001 was a red letter day for the entire world, or should I say a black one. I was teaching 3rd grade at Collier Elementary, and the word began to spread through the halls. Those of us who had  televisions could only turn them on with the mute button because we were asked not to tell the students about it until we knew more.  Mute was more than enough because those images screamed with more pain and emotion than any commentator could have ever shared. My student teacher at time explained to me that his mother lived a block away from the towers, and his face paled. 

I told him to go and make some phone calls, which he did, but he returned with no news and chose to continue teaching despite the fears I knew were racing through his head. I felt it was a testament of faith and courage on his part. It took three days before he learned the fate of his mother. Three days of not knowing, praying, hoping, but not knowing. Three days in the midst of our countries darkest hours. His mother did make it out, but the fear of all that ensued after that day was palpable and the days that followed were simply dark. 

I often wonder about the families that lost loved ones that day. I often wonder about the sheer number of losses we suffered. According to New York Magazine, here are a few of those numbers:

The initial numbers are indelible: 8:46 a.m. and 9:02 a.m. Time the burning towers stood: 56 minutes and 102 minutes. Time they took to fall: 12 seconds. From there, they ripple out.
  • Total number killed in attacks (official figure as of 9/5/02): 2,819
  • Number of firefighters and paramedics killed: 343
  • Number of NYPD officers: 23
  • Number of Port Authority police officers: 37
  • Number of WTC companies that lost people: 60
  • Number of employees who died in Tower One: 1,402
  • Number of employees who died in Tower Two: 614
  • Number of employees lost at Cantor Fitzgerald: 658
  • Number of U.S. troops killed in Operation Enduring Freedom: 22
  • Number of nations whose citizens were killed in attacks: 115
  • Ratio of men to women who died: 3:1
  • Age of the greatest number who died: between 35 and 39
  • Bodies found "intact": 289
  • Body parts found: 19,858
  • Number of families who got no remains: 1,717
  • Estimated units of blood donated to the New York Blood Center: 36,000
  • Total units of donated blood actually used: 258
  • Number of people who lost a spouse or partner in the attacks: 1,609
  • Estimated number of children who lost a parent: 3,051
  • Percentage of Americans who knew someone hurt or killed in the attacks: 20
  • FDNY retirements, January–July 2001: 274
  • FDNY retirements, January–July 2002: 661
  • Number of firefighters on leave for respiratory problems by January 2002: 300
  • Number of funerals attended by Rudy Giuliani in 2001: 200
  • Number of FDNY vehicles destroyed: 98
  • Tons of debris removed from site: 1,506,124
  • Days fires continued to burn after the attack: 99
  • Jobs lost in New York owing to the attacks: 146,100
  • Days the New York Stock Exchange was closed: 6
  • Point drop in the Dow Jones industrial average when the NYSE reopened: 684.81
  • Days after 9/11 that the U.S. began bombing Afghanistan: 26
  • Total number of hate crimes reported to the Council on American-Islamic Relations nationwide since 9/11: 1,714
  • Economic loss to New York in month following the attacks: $105 billion
  • Estimated cost of cleanup: $600 million
  • Total FEMA money spent on the emergency: $970 million
  • Estimated amount donated to 9/11 charities: $1.4 billion
  • Estimated amount of insurance paid worldwide related to 9/11: $40.2 billion
  • Estimated amount of money needed to overhaul lower-Manhattan subways: $7.5 billion
  • Amount of money recently granted by U.S. government to overhaul lower-Manhattan subways: $4.55 billion
  • Estimated amount of money raised for funds dedicated to NYPD and FDNY families: $500 million
  • Percentage of total charity money raised going to FDNY and NYPD families: 25
  • Average benefit already received by each FDNY and NYPD widow: $1 million
  • Percentage increase in law-school applications from 2001 to 2002: 17.9
  • Percentage increase in Peace Corps applications from 2001 to 2002: 40
  • Percentage increase in CIA applications from 2001 to 2002: 50
  • Number of songs Clear Channel Radio considered "inappropriate" to play after 9/11: 150
  • Number of mentions of 9/11 at the Oscars: 26
  • Apartments in lower Manhattan eligible for asbestos cleanup: 30,000
  • Number of apartments whose residents have requested cleanup and testing: 4,110
  • Number of Americans who changed their 2001 holiday-travel plans from plane to train or car: 1.4 million
  • Estimated number of New Yorkers suffering from post-traumatic-stress disorder as a result of 9/11: 422,000
They are humbling to me. My life changed, along with so many others around the world. But for each of the numbers above, there is a life that was altered in ways that I can't fathom because I am blessed to be where I am. I remember the gas lines, the grocery stores having empty shelves, the images played over and over and over. But what I never experienced was the terror of hearing, of receiving the news that my loved one was gone. Gives me chills just thinking about it.

I recalled the photograph I took back in 1999 and realized the importance of the image, at least for me. And as I began my landmark series I knew that would be the first that I would paint. It was my way of simply honoring the lives, the loss, the heroes, and our way of life. That painting is at the top of this page and a few others, from Mobile, are below.  The New York one is the only one not from Mobile in the series. I plan on spending some time today praying for all those families who find waking up on this day to be one they would rather sleep through. May God be with them and you.


Bienville Square Fountain in Mobile, watercolor/mixed media
St. Joseph's at Spring Hill College, Mobile, Al. 
You can see all of the images in my Landmark Series here.

Thursday, June 17, 2010

Turning To Art For A Bit Of Sanity

Sanity is a pretty precious commodity in my world, how about yours? I often wonder how much more challenging or weird life can get,  and then I turn the T.V. on, and a graphic dose of reality slams me in the gut, which quickly makes me know how 'normal' my life truly is, compared to most. But, as any creative person knows, normal is no state of mind that lends itself to being artistically productive, so finding that fine line between normal and funkatatively weird is my goal each morning. Often though, I fall a bit short, feeling like a sane life is simply a cruel oxymoron wrapped up in clothes stitched with 'normal' threads, and I am left wondering where the balance is. 

Art plays a huge role in my world in helping me find that balance. It seems lately that images of despair, hopelessness, anger, and death are all around us. Really???? Turn the boob toob on and think "oil", enough said about that. So in the interim, in those brief little moments that my psyche needs to stay 'sane', I turn to art, a God given gift which I am grateful for.  

Art surrounds me, at least that's how I perceive the world, through art lenses you could say. On days I get really down, or am having to deal with a pain crisis, I choose to watch the sunlight flicker through the colored glass bottles along the window seal, or grab my color crayons and add a page to my prayer journal. My prayer journal is a new thing for me. Not the prayer or the journal part, but the art part. I find that drawing through my prayers helps calm my mind, keeps me focused, and gives me a much more open channel than simply talking to God. In fact, I find that he talks to me a lot more through my art than in my head, and I am really cool with that. 

I have also spent quite a lot of time lately praying for the animals in our Gulf. The oily pictures shown on the media networks are hard to look at. I find myself sometimes being ambivalent or apathetic to be perfectly honest, but when my heart kicks in and lets a tiny bit of that reality hit home, I cringe at the horror of it all. So, I have started spending the moments that Bill and I spend glued to the evening news as art time. Using my watercolors and ink, I paint images of the unique animal life in our Gulf in 3" miniatures.  I kind of like to think it's my way of feeling sane and embracing all things lovely that are in harms way at least. 

The Green Room is another venue that I chose to participate in to help the Gulf through art. It's an  art show focusing on the beautiful flora and fauna of our Gulf region and all the  artwork is up for auction.  Part of the proceeds go the Mobile Baykeeper and The Mobile Arts Council. I donated my part to Mobile Baykeeper as well. My piece, "The Mermaid Angel Prayer", shares a prayer for the animals affected, in a whimsical sort of way. The least I could do is use my art, my gift, to give back to those innocent beings we share this planet with. You can visit the Mobile Arts Council up until the 25th to place a bid, and I encourage any and all to bid with their hearts and love for all things earthly and beautiful.

Sanity, or the perception of it, comes and goes around here. But one thing I know like I am breathing is this: No matter what craziness, tragedy, or heart break I face, God has given me art to use as a way to cope with it all, and that makes my life beautiful. If you are struggling with understanding all this craziness that surrounds you, I would encourage you to try and work through it with art. You don't need to be an artist, you simply need to grab a pencil, some crayons, or some paint, and work through your feelings on paper. It's much healthier than some other vices, and you just might be surprised with how much more 'sane' you feel afterwords, if only for a brief respite.

Here is the mermaid painting, along with two of the 3" miniatures of the Gulf animals. (Yes, pink dolphins do exist, they are actually very rare albino dolphins.)
 
May beauty surround you today, and my you have the eyes and heart to see it!  ((((((((((hugs))))))))))))))

 

Wednesday, June 2, 2010

Fight the Oil Spill with Art

What a month this has been! The news about the oil spill was jaw dropping and day by day it seems to get worse. Some days, I didn't know if I could bear to watch the news or not, and others kept my eyes glued to the tube. It's hard for me to believe that the lack of oversight and actions by a few could cause such a catastrophe but they did. I shouldn't be surprised should I? Minute by minute my emotions change from anger, to deep sadness, to WTH and I am sure most of my friends and family feel the same way. 

Yesterday, oil made it's way to Dauphin Island and Gulf Shores. Those are two places I hold near and dear. As a child, my grandfather and uncles worked tirelessly to build a cabin off of Fort Morgan and our entire family spent the summers there. If I close my eyes I can recall walking in the blistering hot sand as we unpacked the car. No one could play until that car was unloaded. The dunes stood almost higher than our houses and we had tons of fun rolling down them. In the evening, the big guys would take a net out and pull it in and we were able to pick through the bounty the Gulf provided. Those were the days, some of my most precious moments as a child. 

Dauphin Island is also precious to me. When I first started dating Bill almost 14 years ago our second date was at Bright Waters. He had a beach house on the West End that faced the Gulf and I can remember like it was yesterday when I pulled up and saw Brandon picking oyster shells in the driveway and little Katie running around like a water fairy. Most of our weekends were spent there when it wasn't rented and it was a magical place, for family, for taking in the beauty of the island, and I miss it terribly. Sadly, Hurricane Ivan took the house, and before we could rebuild, Hurricane Katrina took the lot, so our time at Dauphin Island ended, which left a deep hole in our hearts. 

As we watched the oil spill, the enormous plumes gushing out of the pipe, and took in the new, "oil forecast", we quickly realized that life along the coast was going to change for a long time. Friends from up north seemed concerned, but until you have visited the Gulf I fear one just can't comprehend the beauty of it, and the loss of it. As an artist, it is difficult to sit by feeling helpless, in fact, I can't stand that. So, many artist are coming together to do what we do best, PAINT!

Several auctions will be hosted between here and Pensacola in the coming weeks. The first one I am participating in will be at the Mobile Arts Council here in Mobile. "The Green Room" is an auction celebrating the mission of The Mobile Baykeepers. That organization works so hard in keeping our coast, bay, and watershed clean and the animals protected. Proceeds will be split between them, Mobile Arts Council and the artist, but I just may donate my share as well. 



Here is the painting I am donating for it, "Mermaid Angel Prayer." I love mermaids, and I thought turning one into an angel for the animals would be swell. There is a poem around the edge, it goes like this:

Mermaid Angel sent from Heaven, 
listen to her prayer, 
a prayer for all the creatures, 
in the ocean, land, and air. 

Protect them from the harm
that is around them everywhere,
from human greed and actions
causing harm with needless care.

Protect them one, 
Protect them all, 
these creatures great and small. 


It's a simple poem but one that I feel has a powerful message between the lines. My heart is breaking. I am holding close to my faith during these times, praying for a miracle, but it seems that the actions of man are too damaging to reverse and I can only imagine God's heart is breaking as well. I will encourage all of you to find some way for your gifts to help the cause of protecting our coast. It sure is better than sitting by and waiting for the sky to fall, or shall I say, the black wave to roll in!

Sunday, January 10, 2010

Turning a Page

Pulling up to the gallery downtown I opened the car door and felt the sting of a cold winter day bite my cheeks and it made me feel alive and frigid all at the same time. That, it seems, is a metaphor for how I feel moving into a new year, of art, of health, and of life. 

This past year was one of many changes to say the least. I won't go into the juicy details here, you can read my previous posts to catch up on all that has transpired, but I will give credit to a long year of growth, illness, triumphs, love, and much hilarity. I thank God for it all, but especially the hilarious parts, they are what keeps me sane.

Artistically speaking I have much to look forward to and to decide. I have always been one to paint what inspired me in the moment, out of sheer spontaneity, and there is something to be said for that freedom. It reminds me of a child who whimsically walks through life and follows his senses into a world with no compass, just being, and creating, and loving life. At some point though that child needs to grow a little, and gain more of a focus as to why certain colors inspire him, why certain textures feel better than others, and why certain forms of creativity just come easier than others. The questions must be asked and attempted to answer, and so I find myself at that point, going from chapter one into the next, with blank pages ahead of me.

I won't lie, it feels exciting, really almost to the point of giddiness at times, and I will go out on a limb and say I don't trust that. I like the way that feels, but due to many years of feeling comfortable in my skin, only to have the skin peeled off in layers, I always look for the other shoe to drop, or in my case the predictable chaos that usually follows me. I wouldn't know what to do with a year without that, one that goes 'as it should', and I don't know if it even exists, but I have to hope it does. I believe the big guy upstairs wants that as well, I just find that belief a challenge to hold on to sometimes. 

So where will life take me? I hope it takes me down a road where doors are opened and I am able to pin down the children's book that has  floated around in my head for years. I hope it takes me into an artistic place where the art I create really moves people to feel, to experience great emotion, and learn to love the beauty in life, despite what their world surrounds them with. I hope I continue to be bold enough to share my faith through my art, even when it is looked down upon by some and I hope that somehow I am able to make a difference in the lives of children, those that I hold most sacred on the planet we share. 

I pray, no matter what is thrown at me, that I will continue to embrace joy, and insane optimism, which is no easy task. My family has always played a huge role in my ability to stay positive and I trust this year will be no different. And on a humorous note, I hope at least one painting this year will make someone burst into laughter, for no other reason than it reminded them of their childhood.




Save the world? No, not on my agenda. Save my spirit and share the love and gifts God has blessed me with with a beautiful world? That I can do. So follow me if you choose, as I turn the page and walk onto a blank canvas, then watch the colors start to flow and we will both see what masterpiece life has in store to paint! And better yet, paint your own and share it with me, that, friends, will make the true meaning of art come full circle for me and I would be honored to share it with you! Peace friends! 

If you follow me on my fanpage at Facebook the you may have read that I am doing a study this year to compare master painters from different centuries. I have started with Jan van Eyck and Hans Holbein the Younger. If art history interests you look me up at The Artwork of Ardith Goodwin and join in on the discussion.



Here are a few pieces I created over the past years. Thank God for 2009, raise a glass in honor of it, and cheer on the one to come!